Whilst it's now easy enough to adjust our camera's white balance to suit different lighting conditions, or get rid of unwanted colour casts in Photoshop, sometimes it's still useful to have a few filters to hand that enable us to get the right effects in-camera, rather than having to fiddle around on the computer afterwards.
So, which are some of the more useful filters to have handy in your kitbag?
Neutral Density
A grey neutral-density filter is useful to have for several reasons. Although it is colourless, it will help cut down the amount of light entering the lens, which is great if you want to use a slower shutter speed for a particular creative effect, such as blurring the image, or maintain a wide aperture in bright light while shooting at a high ISO, thereby not sacrificing your shallow depth-of-field.
Polarising Filter
A polarising filter has a special molecular structure which affects the transmission of light-waves in a particular way. Normally, unpolarised light-waves vibrate in any number of different planes, although always at right angles to the direction in which they travel. Polarised light, (for instance light from those parts of a clear blue sky which are at a 90-degree angle to the sun, or light reflected off a shiny, non-metallic surface, such as a window) vibrates along just one plane.
So, what does this mean for your photographs? By attaching a polarising filter to the front of the camera lens you can control whether the polarised light passes through or is blocked by the filter, simply by rotating it. The special properties of the filter mean that when its lines are parallel to the line of travel of the polarised light, this light will be transmitted; rotating it until the lines are at right-angles to the plane of travel, means that the polarised light will be blocked - an effective way of getting rid of distracting reflections in your shot or darkening a blue sky.
Ultra-violet filter
Although they look completely transparent, UV filters will absorb the UV light that can cause the blue-tinged, hazy effect that is especially noticeable when shooting landscapes or seascapes.